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The cheerful encoreatlanta. That, in turn, redoubles the catharsis of their liberation at the hands of Leonore. The curtain rises on the courtyard of the state prison. Rocco enters, looking for Fidelio, who soon arrives, carrying provisions. Fidelio is actually the woman Leonore, in disguise.

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Leonore has come to work at the prison because she believes her husband, Don Florestan, has been imprisoned there for daring to speak out against the regime of the evil Governor, Don Pizarro. Leonore tells Rocco that she values his trust above all else. Leonore urges Rocco to allow her to accompany him to a secret dungeon, where she believes Florestan is being held captive.

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A march heralds the arrival of Don Pizarro and his guards. Rocco hands Pizarro a series of dispatches, including one that warns the Governor that the benevolent Minister, Don Fernando, is coming to inspect the prison. Pizarro resolves to kill Don Florestan, rather than have his wrongful imprisonment discovered by Don Fernando.

Pizarro then turns to Rocco and tries to bribe the jailor to murder Don Florestan. When Rocco refuses, Pizarro vows to carry out the deed himself. After Rocco and Pizarro depart, Leonore emerges from hiding. When Rocco and Jaquino return, Leonore asks the jailor to allow the prisoners to come out of their cells to walk in the courtyard. Pizarro angrily rushes in and chastises the jailor for allowing the prisoners to come out of their cells.

The prisoners return below as the curtain falls on Act I of Ludwig van 30 aso. Florestan, in chains, awakens and laments his tragic fate. Rocco and Leonore enter the dungeon. Leonore desperately tries to find out whether the prisoner is her husband, but it is too dark. Florestan begins to talk to Rocco, and Leonore finally recognizes her husband. Florestan begs Rocco to tell his wife that he is still alive and in prison.

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When Florestan pleads for water, Rocco tells Leonore to give the prisoner what remains in his jug of wine. Rocco gives the signal to Pizarro that all is ready. Florestan believes that it is the signal for his death, but Leonore urges him to have faith. Pizarro enters and taunts Florestan, but the prisoner boldly confronts his adversary.

Pizarro quickly recovers and vows to kill them both, but Leonore holds the governor at bay with a pistol. Suddenly, a trumpet sounds from the tower, heralding the arrival of Don Fernando. Pizarro realizes that his plot has been defeated. The scene changes to the castle parade ground. He was recently named Artistic Advisor to the Cincinnati Opera. Returning to the U.

Nmon Ford returned to the American operatic landscape recently as a baritone of some repute in dramatic repertoire. Woodley has appeared with prestigious opera companies all over the U. Allegretto; Allegro non troppo II. Allegro III. Lento IV. Allegro moderato II. Andante III.

Allegro vivacissimo Nikolaj Znaider, violin. Find out what you need to know before the show. Read current and past Encore Atlanta programs. He currently resides in Montclair, NJ. Born in the USA, she started her musical education as a violinist. She made her professional opera debut in at the Romanian National Opera in Bucharest. She lives in Munich. His solo work has been featured on radio broadcasts by WABE. Until her passing, Stephen was a student of Elizabeth Colson. Appointed Director of Choruses for the Atlanta Symphony Orchestra by Robert Spano in , and holder of its endowed Frannie and Bill Graves Chair, he was chosen to help carry forward the creative vision of legendary founding conductor Robert Shaw to a new generation of music lovers.

At the ASO, he prepares the Choruses for all concerts and recordings, works closely with Robert Spano on the commissioning and realization of new choral-orchestral works and conducts holiday concerts annually. Recent appearances have included New York, Washington D.

Séan Tyrone - A Symphony of Horrors

A native of suburban Philadelphia, Mackenzie made his debut as a pianist with the Philadelphia Orchestra at age The Chorus is an all-volunteer, auditioned organization that performs on a regular basis with the Orchestra and is featured on many of its recordings. Led by Director of Choruses, Norman Mackenzie, the Chorus is known for its precision and expressive singing quality.

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In addition, the Chorus has been involved in numerous world-premiere commissioned works. In , it accompanied Shaw and the Orchestra on their European debut tour. The Chamber Chorus, which formed before the larger Chorus in , performs music of the Baroque and Classical eras, as well as works by modern masters. This distinguished roster represents those among the Atlanta Symphony Orchestra family who wish to honor the transformative power of music—whether experienced during a one-time performance or over the course of a lifetime.

On behalf of your Atlanta Symphony Orchestra—musicians, volunteers, and staff—we thank each of you for dedicating these vital contributions to the music and programming we work so passionately to create and share. Abraham J.

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